Abstraction of a Beechnut

Starting this workshop was a challenge, as the process was entirely new to me. I began with a cube of plaster, aiming to mold it into a different shape. Early on, I had to figure out how the material worked, which tools to use, and whether to rely on patterns or measurements.

We began by analyzing natural objects like tropical fruits and pine cones. I chose the beechnut and focused on abstracting its triangular shape. The base resembled a pyramid, with surfaces that shifted from convex to concave. To capture this, I experimented with geometric principles and crafted models from cardboard, paper, clay, and foam.

The biggest step was working with the final material, which was both time-consuming and full of reversals. However, the process taught me invaluable lessons, and for me, that’s what mattered most.